EMERSON, LILLY AND QUAFFER

Emerson, Lilly and Quaffer "ELQ Theme 1" MP3

This was recorded in fall 1990. My drum set was combined with Elliot's. He had a bunch of drums including some Ludwig concert toms and a huge Zildjian Swish cymbal that was like a china on steroids. Plus I think Ihad a few trashy old bits like a horrid old high hat, snare & bass drum, origin unknown. This recording begins with me doddering my way around the entire kit & back. I think there were three entire kits going at the same time, plus one or two sawblades.

After my drum kit exploration begins, Michael gets situated on the bass. He wastes no time in slapping the shit out of Macho Man, aka my old Peavey bass. Then you hear Raymond firing up his shitty old Bonpoopi organ, run through my flanger pedal.

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THESE CHORDS ARE LIKE FAMILY TO ME

Ian C Stewart "These Chords are like Family to Me" MP3 From the 2003 made-to-be-made-not-made-to-be-heard album I Don't Know Why You Think I Won't Kill You .... this is the last song. This was the beginning of my dabbling with intentional randomness in songwriting. The lyrics for the whole album were compiled from albums by other artists that I enjoyed a lot, such as Adrian Belew's Twang Bar King , The Cure's Pornography , Voivod Nothingface , Mercyful Fate Melissa etc. I wrote out entire lines of their phrases and chopped them together. I think at the time I described it as 'sad psychedelic love songs about satan' overall, which is really being too generous. The music was also randomly chosen from tablature found on t'interwebs for favorite songs of mine. In general I played the chords in reverse order to the original songs but I can still kind of tell in a couple of places what the songs were. The titles were my own, obviously. Although I did cho...

Until 91

Ian C Stewart "Until 91" MP3 Even though I had a girlfriend, I wrote the occasional song about other girls. "Until 91" was one such thing. It was recorded on my brand new Tascam Porta 05 4-track. That thing was my pride & joy. I used it more or less constantly until it gave up the ghost in 1992. "Until 91" adheres to the strict 4 tracks/no overdubs idea, maybe I hadn't learned how to overdub by that point. My first Casio keyboard supplied the drums. It was a PT-something. Uhhhh, clean guitar = Jaguar. Fretless bass = Michael's black Ibanez, last seen onstage with Raymond & Devilcake in 1992. I'm not sure where the funky folky vibe comes from. Satan? You came into my life bringing mucho confusion I didn't know if you were real or just an illusion I thought I was happy as I screamed in pain You turned around and left as you came me drumming with XYCHQ!?, January 1989 This was my first gig playing drums. It was horrible, I was horrible...

ACCOUNTABILITY

Ian C Stewart "Accountability" MP3 Hah, remember those Maxell Capsule tapes? Nice. This mixdown album.... laughingly titled Mama .... which came from one of the XTC live-on-radio 1989 acoustic recordings. At the very very end of one of the songs, Andy Partridge sang "mama," for no apparent reason. Maybe he was trying to tack on a Led Zeppelin-esque effect. Whatever, it was funny as hell at the time & I made it my goal to finish every song on this tape the same way.... anyway, this album features an early appearance by the Boss DR-550 drum machine that I got in August 1991. Mama was the first or second batch of recordings. That's also the time just after Evil Bread disbanded. I answered a Drummer Wanted flier & jammed a few times with a nice but directionless trio of older musicians. The guitarist left all his gear at my place, as was the custom at the time. So between jam sessions I spent hours (no, really) upon hours experimenting with his e-bow (well.....

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