Skip to main content

DREAM + ROAD





Hazy "Dream" MP3 + "Road" MP3

From the band that never was, the albums that never were, the songs that almost were. The lyrics, titles and cover art that definitely did happen.

These are the last two songs on the first Hazy album, Atmos. Just like Rick Rubin said, ask someone to write ten songs for an album and inevitably the most recent two are the best ones.

I'm pretty sure no one has heard this stuff in its entirety, at least I hope not.

On "Dream", I used an old funky drum break for the drums, then some clean bass & guitars, all reverbed beyond reason. The vocals are the weak link, naturally. Hopefully they're low enough in the mix that they don't ruin the whole thing. If that's even possible.

"Road" has a drum loop from who knows where. Actually I do know where, it was an old remix kit sent by a friend for a very early bunch of Acid remixes. We're talkin' like 1998 or 99 here. So he played the drums, which is why the loop is so sweet & low. Then I made a sad fake Flea-like bass line and more whiny clean guitars. The whispered vocals make me claw my eyes out so I probably should've left this one instrumental. Or um met a vocalist who could do that stuff for me.

DREAM
It was late spring
she meant everything

distant reflection
the afternoon sun

she haunts me



ROAD
Back again & again
smile for the camera

meet me in the car park
in half an hour

filling the hole
nail you to the floor


----------------
Now playing: Hazy - Dream
via FoxyTunes

Comments

Darrin said…
1) Dream - The groove in Dream in sweet with the old drums, gweetar and bass. It sounded like the vocals (with lots of reverb as well) could have contributed to the mix had you let them. There was one section in there where the guitar noodles downward that I couldn't get into though. Not sure if the reverb was getting in the way or if the bass line wasn't following the guitar or what. Something was off for me, but that main riff "doodle-dee-deeee doo-deet doo-deet" was frickin' sweetwith all that syrupy reverb.

2) Road - You're right on how that low drum part is awesome. Once again, I love the groove feel for the guitar and bass as well. Unlike Dream, I think the chorus or second-groove fit in quite well as the guitar and bass seemed to follow each other. Flea-type bassing is awesome when when used the right way. I think it went quite well in this recording since the guitar part is more minimal. The whispered vocals are appropriate and I think positively add to the song as well. I dig this one quite a bit. This is a tune I think could go on the road. Pun intended. :)

3) Pics - There is something so wrong about a man wearing a Def Jam hat and a King Diamond T-shirt. Unless that person is a Body Count fan; then it makes perfect sense.

Once of these days maybe you'll run acorss something in one of your boxes to remind you why you were collecting pictures of birds.

Popular posts from this blog

THESE CHORDS ARE LIKE FAMILY TO ME

Ian C Stewart "These Chords are like Family to Me" MP3 From the 2003 made-to-be-made-not-made-to-be-heard album I Don't Know Why You Think I Won't Kill You .... this is the last song. This was the beginning of my dabbling with intentional randomness in songwriting. The lyrics for the whole album were compiled from albums by other artists that I enjoyed a lot, such as Adrian Belew's Twang Bar King , The Cure's Pornography , Voivod Nothingface , Mercyful Fate Melissa etc. I wrote out entire lines of their phrases and chopped them together. I think at the time I described it as 'sad psychedelic love songs about satan' overall, which is really being too generous. The music was also randomly chosen from tablature found on t'interwebs for favorite songs of mine. In general I played the chords in reverse order to the original songs but I can still kind of tell in a couple of places what the songs were. The titles were my own, obviously. Although I did cho...

ACCOUNTABILITY

Ian C Stewart "Accountability" MP3 Hah, remember those Maxell Capsule tapes? Nice. This mixdown album.... laughingly titled Mama .... which came from one of the XTC live-on-radio 1989 acoustic recordings. At the very very end of one of the songs, Andy Partridge sang "mama," for no apparent reason. Maybe he was trying to tack on a Led Zeppelin-esque effect. Whatever, it was funny as hell at the time & I made it my goal to finish every song on this tape the same way.... anyway, this album features an early appearance by the Boss DR-550 drum machine that I got in August 1991. Mama was the first or second batch of recordings. That's also the time just after Evil Bread disbanded. I answered a Drummer Wanted flier & jammed a few times with a nice but directionless trio of older musicians. The guitarist left all his gear at my place, as was the custom at the time. So between jam sessions I spent hours (no, really) upon hours experimenting with his e-bow (well.....

Until 91

Ian C Stewart "Until 91" MP3 Even though I had a girlfriend, I wrote the occasional song about other girls. "Until 91" was one such thing. It was recorded on my brand new Tascam Porta 05 4-track. That thing was my pride & joy. I used it more or less constantly until it gave up the ghost in 1992. "Until 91" adheres to the strict 4 tracks/no overdubs idea, maybe I hadn't learned how to overdub by that point. My first Casio keyboard supplied the drums. It was a PT-something. Uhhhh, clean guitar = Jaguar. Fretless bass = Michael's black Ibanez, last seen onstage with Raymond & Devilcake in 1992. I'm not sure where the funky folky vibe comes from. Satan? You came into my life bringing mucho confusion I didn't know if you were real or just an illusion I thought I was happy as I screamed in pain You turned around and left as you came me drumming with XYCHQ!?, January 1989 This was my first gig playing drums. It was horrible, I was horrible...