1999 - FZZY PMPR / SAMARKAND - THIS IS HOW WE GET DOWN

1999 - FZZY PMPR / SAMARKAND - THIS IS HOW WE GET DOWN - SPLIT CD

blinding, rarely-seen CD cover 1999 this is how we get down

FZZY PMPR / SAMARKAND
THIS IS HOW WE GET DOWN / THIS IS HOW WE CALM DOWN
TWO EPs on one SPLIT CD
1999 Bizarre Depiction

So, what to do next, after I sampled every beat, every riff, every lick, every rap, every bit of between-song banter from every record, tape, CD and movie I owned on the Samarkand "Continua" joint?

What indeed.

I know.

Do it all again. But. This time, make it funky.

Fuzzy Pumper aka FZZY PMPR is me, chopping beats on the old PC, using Cool Edit 96.

Samarkand is also me, in this case chopping ambients blah blah Cool 96. I didn't want it to just be merely ambient. I wanted it to be extremely, borderline offensively ambient. The challenge was out there that I should also sample my own playing instead of just looping Jesse the Body. So there's quite a bit of me playing Roland guitar synth. It sounded good at the time.

The singing/playing guitar/voice "thing" was pretty played out for me that year, in 1999. I had discovered dance beats and I just wanted to remix the world. Guitars, yuck. Get 'em out of here, grandad. I'm replacing my axes with turntables!!!!!!!!!!!!

This was the last use of the Samarkand band name, and the first use of FZZY PMPR.

It was all me, Ian C Stewart. Sampling everything in the world.

FOUL LANGUAGE ENCLOSED! Enjoy it.

FZZY PMPR: "THIS IS HOW WE GET DOWN"
1. Fade In
2. Eardrums
3. No, Cross That Out
4. Hoochie Rock
5. I Took Drugs To Win Medals

SAMARKAND: "THIS IS HOW WE CALM DOWN"
6. Empty Pool
7. Analysis
8. Rotterdam
9. Hypnotic Reflection

CLICK HERE TO DOWNLOAD

Comments

EXGIRLFRIEND

SAMARKAND FRENZY WEEK, DAY THREE Samarkand "Exgirlfriend" MP3 This song is from the limited release cassette Sensitive , which was issued in a handpainted edition of 10 in January 1993. Naturally. Sensitive was 60 minutes of almost entirely brand new material, only one or two songs were recycled. It was recorded during what I thought would be my winter break from Berklee in 1992. Of course that turned out to be my permanent break from Berklee in 1992 since the cash had completely run out for my tuition. All the songs were recorded on a borrowed 4-track, possibly Ray's Porta 05. I also had my uncle's massive Carvin PA, Sennheiser mics & Ludwig drums in my basement. All of which feature prominently on this here release, along with the brand new Zoom 9002 effects. Which was an amazing combination at the time, I really felt like the boundaries were down on the equipment end of things for the first time. "Exgirlfriend" is a riff recycled from Domestik Quarrel...

ACCOUNTABILITY

Ian C Stewart "Accountability" MP3 Hah, remember those Maxell Capsule tapes? Nice. This mixdown album.... laughingly titled Mama .... which came from one of the XTC live-on-radio 1989 acoustic recordings. At the very very end of one of the songs, Andy Partridge sang "mama," for no apparent reason. Maybe he was trying to tack on a Led Zeppelin-esque effect. Whatever, it was funny as hell at the time & I made it my goal to finish every song on this tape the same way.... anyway, this album features an early appearance by the Boss DR-550 drum machine that I got in August 1991. Mama was the first or second batch of recordings. That's also the time just after Evil Bread disbanded. I answered a Drummer Wanted flier & jammed a few times with a nice but directionless trio of older musicians. The guitarist left all his gear at my place, as was the custom at the time. So between jam sessions I spent hours (no, really) upon hours experimenting with his e-bow (well.....

THESE CHORDS ARE LIKE FAMILY TO ME

Ian C Stewart "These Chords are like Family to Me" MP3 From the 2003 made-to-be-made-not-made-to-be-heard album I Don't Know Why You Think I Won't Kill You .... this is the last song. This was the beginning of my dabbling with intentional randomness in songwriting. The lyrics for the whole album were compiled from albums by other artists that I enjoyed a lot, such as Adrian Belew's Twang Bar King , The Cure's Pornography , Voivod Nothingface , Mercyful Fate Melissa etc. I wrote out entire lines of their phrases and chopped them together. I think at the time I described it as 'sad psychedelic love songs about satan' overall, which is really being too generous. The music was also randomly chosen from tablature found on t'interwebs for favorite songs of mine. In general I played the chords in reverse order to the original songs but I can still kind of tell in a couple of places what the songs were. The titles were my own, obviously. Although I did cho...

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