SAMARKAND - 1993 - SAMARKAND (White)

SAMARKAND - 1993 - SAMARKAND (White) - CD

samarkand white tape, summer 1993

SAMARKAND
SAMARKAND
aka white tape
summer 1993

Brian Lewis - guitar, keyboard on 'cathedral'
Jeff Sampson - bass
Ian C Stewart - guitar, vocals, keyboards, drum machine
Todd Skaggs - keyboard
Michael Million - guitar

recorded in the basement in Westerville, Ohio, USA
on eight tracks of recorder

all songs by Ian except 'window', which Jeff wrote the music, I wrote the lyrics - and 'yours' which was Michael's tune with my words. 'embroidered shirt' and 'china' which were by Brian.

1. Window
2. Yours
3. Down In The Valley (For Diva)
4. Eye
5. Glowing Letters
6. Mortality
7. Ftmch
8. Relationship
9. 01.28.92
10. Heartbox
11. Cathedral
12. Retaliation
13. Embroidered Shirt Acoustic
14. Embroidered Shirt Reverential
15. China

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Comments

THESE CHORDS ARE LIKE FAMILY TO ME

Ian C Stewart "These Chords are like Family to Me" MP3 From the 2003 made-to-be-made-not-made-to-be-heard album I Don't Know Why You Think I Won't Kill You .... this is the last song. This was the beginning of my dabbling with intentional randomness in songwriting. The lyrics for the whole album were compiled from albums by other artists that I enjoyed a lot, such as Adrian Belew's Twang Bar King , The Cure's Pornography , Voivod Nothingface , Mercyful Fate Melissa etc. I wrote out entire lines of their phrases and chopped them together. I think at the time I described it as 'sad psychedelic love songs about satan' overall, which is really being too generous. The music was also randomly chosen from tablature found on t'interwebs for favorite songs of mine. In general I played the chords in reverse order to the original songs but I can still kind of tell in a couple of places what the songs were. The titles were my own, obviously. Although I did cho...

Until 91

Ian C Stewart "Until 91" MP3 Even though I had a girlfriend, I wrote the occasional song about other girls. "Until 91" was one such thing. It was recorded on my brand new Tascam Porta 05 4-track. That thing was my pride & joy. I used it more or less constantly until it gave up the ghost in 1992. "Until 91" adheres to the strict 4 tracks/no overdubs idea, maybe I hadn't learned how to overdub by that point. My first Casio keyboard supplied the drums. It was a PT-something. Uhhhh, clean guitar = Jaguar. Fretless bass = Michael's black Ibanez, last seen onstage with Raymond & Devilcake in 1992. I'm not sure where the funky folky vibe comes from. Satan? You came into my life bringing mucho confusion I didn't know if you were real or just an illusion I thought I was happy as I screamed in pain You turned around and left as you came me drumming with XYCHQ!?, January 1989 This was my first gig playing drums. It was horrible, I was horrible...

fzzy recollections

FZZY PMPR came about after I bought a used desktop PC that was curated by ECC's Mark Gunderson. He loaded it up with the entire internet circa 1996 with every game, oddity and software package ever, along with some ECC ephemera. I eventually started experimenting with audio editing programs like Cool Edit and the like, trying to do "cut ups" of my own, which were just failed sound experiments really. Eventually I crafted an album of sample-based material, which was the Samarkand album "Continua". Eventually the megalomania took focus and a la Evolution Control Committee, Samarkand became FZZY PMPR which had as its members, what, DJ Arse and others, I think? Megalomania gave way to regular mania and today it's not even a memory! That's the way Huntington's Disease works, I start off with this bossy, overpowering and seductive uhh drive to just point out every single thing in the universe which gradually cools until it's lik...

Ian C Stewart Archive of Sound

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